![]() ![]() Things really get interesting when you explore the xtreme settings in depth, however.įor my tastes, the xtreme settings are most useful when providing lush enhancement to traditional echoes. You can consider the first half of its range a standard repeats control, but the second 50 percent of its range is primed for exploring the wild textures of oscillating echo. The repeats knob ushers in self-oscillation pretty fast. The added delay time is a striking reminder of how long eight-tenths of a second can feel, too. The pedal’s traditional echo sounds are superb-warm with just a little grit that is a fantastic match for the wobbly “tape age” setting. (Thankfully, the excellent owner’s manual is thorough and concise.) But by pairing the Delay Llama with a selection of guitars and amps well as a Fractal Axe-FX III, I discovered a genuinely thrilling and inspiring bonanza of sound-sculpting possibilities, not to mention scads of downright tasty traditional echoes for the player who wants to keep it simple. Given the plethora of functions available, it would be near impossible to explore every possibility in a review of this length. The pitch-shift function can mimic synthesizer sequencer sounds in many modes. Internal trimmers, meanwhile, enable alterations to the maximum repeats and the maximum decay of trails. ![]() But while the lack of stereo output will be limiting to a small percentage of players, the three additional side-panel jacks enable expression pedal control of delay time, remote preset selection, and remote tap tempo, which open up many other expressive possibilities. Standard in and out jacks allow mono connection only. The rightmost footswitch is for controlling the tap tempo, but also engages the self-oscillation function when you press and hold.Īn abundance of connectivity options further underscores the versatility of the Delay Llama Xtreme. It also enables selections from the four extreme modes-vibrato, tape-age, random, and pitch-shift-when used with the “alt” push-button just to the right of the footswitch. The center switch enables selection of the presets. The three non-latching footswitches along the bottom of the pedal serve varied roles. The tap-divisions switch creates quarter-note, eighth-note, and dotted-eighth divisions of your tap-tempo selection. “KD”or “kill dry” mutes the dry signal as it passes through the circuit, delivering processed signal exclusively only at the pedal’s output. You can switch to true bypass in the lower position, which, of course, also lops off delay trails when the pedal is disengaged. “TRLS” (or “trails”) retains the delay trails when the pedal is switched off and activates buffered bypass. But below these controls lurks a trio of mini-toggle switches. And the core of the Delay Llama Xtreme’s functions remains the three conventional and familiar knobs the original Delay Llama uses for delay time, repeats, and level. The analog heart beating inside the Xtreme’s 5.8" x 4.8" x 1.5" enclosure is made up of three 3205 BBD chips. There’s also an increase in maximum delay capability from 600 ms to 800 ms, user-created presets, a hold-oscillation function, and more. These days, however, digital control blurs the delineations between these worlds, and pedals like the Delay Llama Xtreme, reviewed here, make the most of the reduced barriers between sweet analog tone and digital’s capacity for effect manipulation.Įxtrapolating from the delectably rich analog foundation of the original Delay Llama, the Delay Llama Xtreme adds a boatload of functionality-including tap tempo with three subdivisions, and effects including vibrato, tape age, random delay times, and pitch shift (which even delivers a 5-mode sequencer). On the other, the clean, sometimes complex, multi-functional potential of digital. On one side, there was the warm, dark, vintage-y flavor of analog. delay time, tap tempo w/ subdivisions, hold function, kill-dry, trails (buffered) OR true bypass modes, delay time expression pedal / CV input, remote tap tempo input and remote preset selection input.In simpler times, delay pedals lived in a world split by the analog-digital divide. It comes equipped with 4 presets, 800ms of max. Featuring 3 x 3205 BBD chips and a thoughtful layout, the Delay Llama XTREME appeals to traditional delay users and sound explorers alike. The Delay Llama XTREME introduces new functionality and exciting features to the Delay Llama series, challenging preconceived notions of what an analog delay pedal can do. ![]()
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